Photos on this page in screen resolution,
article ‘Should landscape photography always please us?’

Scotland (SCO)

Cairngorms, the making of this picture was mainly determined by emotion, the crushing impression of the land, the feeling of being lost but with the paradoxical sensation of how beautiful this experience is, the rising and disappearing fog. I was not concerned with composition etc. It was the land and the impressions that made me make this photo and I am so ‘into it’ that I cannot say whether it is a beautiful photo.

I had the experience of time standing still at night, or at least running more slowly. I wanted to photograph the country on that border, when the sun has not yet risen and the hustle and bustle of the day has not begun. Much of the land is then invisible to the human eye.
This picture was made in near darkness with a long shutter speed.

Mont Ventoux (MVT)




Unexpected caves during the descent, and a monster that appears at the end.

Tears of the Rhine (RHINE)

Funny contradiction: with a tripod on a pull barge…

A series about the old courses of the river Rhine.
Green river, this was made as an experiment, ignoring rules, no point in using a tripod. Curiousity took it over. Moving water, much wind, the use of inferior glass as a filter. I don’t understand this picture but I like it much.

Land and Traces (BUNK)



A project about land and history. How do beauty and antrocities in the landscape relate to each other?

Italy (ITA)






Landscape and memory, the land of the First World War.

Analogue pictures (ANA)
Will folow…